Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Portrait of Maharaja Chandulal,Chief Minister of the Nizam of Hyderabad,Nawab Ali Khan,Asaf Jah Iv

ID: 39815

unknow artist Portrait of Maharaja Chandulal,Chief Minister of the Nizam of Hyderabad,Nawab Ali Khan,Asaf Jah Iv
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unknow artist Portrait of Maharaja Chandulal,Chief Minister of the Nizam of Hyderabad,Nawab Ali Khan,Asaf Jah Iv


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unknow artist

  Related Paintings of unknow artist :. | Oil on canvas portrait of Mrs. Cooke by William Jennys | Sheep 155 | Carl Oesterley jun Tal der Ramaels | Painting the Augustan period | Arab or Arabic people and life. Orientalism oil paintings 138 |
Related Artists:
Taddeo di Bartolo
Italian Gothic Era Painter, ca.1362-1422 Italian painter. Taddeo, son of the barber Bartolo di Mino, was under 25 in 1386 when he was first recorded, painting statuettes of angels for the new choir-stalls in Siena Cathedral. In 1388-9 he was a counsellor to the Cathedral Works and in 1389 he was first listed as an independent painter. His earliest dated work is the polyptych of the Virgin and Child with Saints (1389; sold London, Christie's, 8 Dec 1950), painted for the chapel of S Paolo at Collegarli, near San Miniato al Tedesco.
Leo Putz
Germany (1869 -1940 ) - Painter
VEEN, Otto van
Flemish painter (b. 1556, Leiden, d. 1629, Bruxelles). Flemish painter and draughtsman of Dutch birth. Although born in Holland, he is regarded as an artist of the Catholic southern Netherlands, where he spent most of his active life. He seems to have been acquainted with most of the Netherlandish scholars of his time, and his works testify to his broad humanistic learning. This and his prominent role in the early manifestations of the Counter-Reformation in Antwerp may have led Rubens to choose him as a teacher. Van Veen's importance as an artist has often been compared to the career of his famous pupil, for whom he was certainly the most important exemplar of the pictor doctus or learned painter. Van Veen obviously represents the older generation's more classicizing and conservative response to the Counter-Reformation. For him, the return to the spiritual values of the past also implied a recovery of the pictorial style of the High Renaissance, with its deliberate borrowings from the paintings of such artists as Raphael and Correggio.






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